Ce n'est pas où j'appartiens

May 16
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“We did a screen test and so, they brought in cameras, and then there were four Jims and four Pams, and we got mix-and-matched. Every time I was matched with John, it was so easy and it just was so natural. On the second day, of auditions he leaned over to me and he said, ‘You’re my favorite Pam.’ And I said, ‘You’re my favorite Jim! Oh my gosh! I hope we both get it!’ So, when they called me and said that I got the role, I said, ‘Who’s Jim? Please say John Krasinski.’ They said, ‘Yes, it’s John Krasinski.’ And I knew. I started to cry and I knew that the two of us together… I couldn’t be Pam without him. He’s my Jim. He just is.”

(Source: notabadday, via gizz-e)

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(Source: soenas, via lovinandtouchin)

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May 14
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pencilfury:

La leçon de français.

pencilfury:

La leçon de français.

(via moleskinelovers)

May 12
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fashioninhistory:

Fancy Dress Costume  
Paul Poiret  
1911  
Early in the twentieth century Diaghilev’s Russian dance company, Ballets Russes, performed in Paris—reigniting the taste for orientalism in Europe with its exotic sets and costumes. As this ensemble illustrates, Poiret excelled in recontextualizing western dress with fantastical eastern influence. He was also a maverick modernist in creating a stir, taking promotion of his inventive ensembles to new levels with his infamous spectaculars. This fancy-dress ensemble was made for and worn to Poiret’s 1002nd Night party in 1911, which was designed and organized to promote his new creations in the full splendor and glamour of the orientalist trend.- The Metropolitan Museum of Art

fashioninhistory:

Fancy Dress Costume  

Paul Poiret  

1911  

Early in the twentieth century Diaghilev’s Russian dance company, Ballets Russes, performed in Paris—reigniting the taste for orientalism in Europe with its exotic sets and costumes. As this ensemble illustrates, Poiret excelled in recontextualizing western dress with fantastical eastern influence. He was also a maverick modernist in creating a stir, taking promotion of his inventive ensembles to new levels with his infamous spectaculars. This fancy-dress ensemble was made for and worn to Poiret’s 1002nd Night party in 1911, which was designed and organized to promote his new creations in the full splendor and glamour of the orientalist trend.- The Metropolitan Museum of Art

(via vintagegal)

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Alice was beginning to get very tired of sitting by her sister on the bank, and having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, ‘and what is the use of a book,’ thought Alice, ‘without pictures or conversations?’

(Source: madsdittmann, via vintagegal)

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May 09
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